Saturday, July 31

Another summer's night in the Dordogne


There is magic light in the Dordogne at the moment!

... I recall that once upon an evening
We dodged the scythe of Death's reaper,
cheated Time's cock-crow
And etched on the wall of the night
an image of our two shadows, blended our colours
on the border of a rumpled pillow
Then subsided
into an armchair.....





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  • Time for topiary in a beautiful French garden


    Jean-C had just finished pruning the hedges... Pruning the hedges? I think not! Shaping, trimming, coaxing, shaving the many box plants into a sculptural work of art, would be a more apt description. I put my hand out and lightly move it over the flat surface of the one hedge -- and like a ripple over water, the entire hedge sways and shivers and responds to my gentle touch. Over there a pyramid, piercing the evening sky ("the box asked to be shaped into a pyrimad -- that was his purpose in life -- to be a four sided pyramid, exact in mathematical proportions and perfect symmetry," explains Jean-Claude. Over there three perfect balls, different sizes, the rays of the setting sun highlighting the perfection of the spheres. -- And, as if in defiance of this perfection, the roses ramble wildly up against the ancient stone wall of the house, their colours a riot of unplanned abandon, their branches clinging wherever the stones provide a hold...
    Oh! I do love spending a summer's evening in this garden with good friends -- sitting around a table under the stars, enjoying an excellent meal, talking, talking, talking...







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  • The agony and the ecstasy of running a Chambres dHotes in the Dordogne


    Running a Chambres d'Hotes/guest house in the Dordogne is probably one of the most enjoyable experiences one could have. Not only do you get to share the most beautiful and idyllic spot on the beautiful Dordogne river, but you also get to meet people from all over the world -- different countries, different cultures, different languages, different interests, different conversations, different points of view.

    So it is a huge amount of work on the Saturday when the one group leaves and the other group arrives a few hours later -- changing all the beds, scrubbing out the bathrooms, making sure there are ample fluffy towels and toiletries laid out, fresh flowers on the bedside tables, checking all the light bulbs, cleaning windows and brushing the omnipresent cobwebs around the window frames, dusting and polishing the furniture and sweeping the carpets, filling the little sweetie bowls, arranging the files with information about local events this week.......... the list goes on. But when the first people arrive and walk through the door and get that look of wonder on their faces as they step into the entrance hall of the chateau, and then, when they walk a few steps further and out onto the terrace and see the view of the river, the forests on the other side, the swans gliding below and the light on the water, and they gasp and cannot find the words to express their pleasure, then all those hours of frantically preparing for their welcome have been worth every bit of the effort and energy.


    The ugly tourist, sculpture by Duan Hanson, Saatchi Gallery



    And then -- every now and then, fortunately not too often, you get the couple who arrive at the door, exhausted after a long drive in a strange country where they don't speak the language and where the locals will always reflect their own attitude and mood, hot and bothered and obviously still fuming after a serious marital tiff, unhappy being here in France, here in the Dordogne, here in front of my door, already adamant that nothing will please them, nothing will be good enough, nothing will make up for the long hot trip and having to spend time with each other -- and you heart sinks in your shoes, because you know, no matter what you do, you will not change their experience. They will go away after the week -- after having made very sure that they have done everything in their power to make your life as miserable as theirs -- and they will go home to Sydney or London or to wherever home is, unhappy, disgruntled and critical of this beautiful village in this beautiful region in this beautiful country.

    And all I can say is thank goodness I know the next group arriving this afternoon will be speechless and in awe of their first impression of the chateau and the river, will enjoy every precious moment of their stay in the Dordogne, will avail themselves to every bit of local knowledge and history and lesser known folklore and interesting facts about this place that I can give them, will enjoy meeting the locals I introduce them to, the delicious fresh flavours and aromas of the local produce straight out of the rich soil around us, the choice of cultural activities and night markets and musical evenings and street dances and arts and crafts and traditional exhibitions that abound at the moment -- and next Saturday they will linger and linger on the terrace until I have to eventually shoo them out the door so that I can have enough time to change the rooms, make the beds, scrub the bathrooms, ........ before the next lot arrive!

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  • Friday, July 30

    Spectacular and unique Opera Event in Orange, France - only one week to go!


    Orange Opera Festival
    when: 15 Jul - 7 Aug 2010 (annual)
    where: Theatre Antique, Orange




    Les Chorégies d'Orange, created in 1860, is France's oldest opera festival, held at the Theatre Antique, a magnificent Roman amphitheatre. The venue seats some 9000 spectators and has retained its acoustic stage wall, which was restored in the early 1800s.

    he production to look forward to is Gounod's Mireille


    Wednesday 4th August 9.30 pm

    In case of bad weather, rescheduled on the 5th August at 9.30 pm

    Saturday 7th August 9.30 pm

    In case of bad weather, rescheduled on the 8th August at 9.30 pm


    Conductor Alain Altinoglu
    *

    Producer Robert Fortune
    Stage designer Christophe Vallaux* / Robert Fortune
    Costumes Rosalie Varda
    Lighting Jacques Rouveyrollis

    Mireille Nathalie Manfrino*
    Taven Marie-Ange Todorovitch
    Vincenette Karen Vourc’h*
    Clémence Caroline Mutel
    The voice / Andreloun Amel Brahim Djelloul

    Vincent Florian Laconi
    Ourrias Franck Ferrari
    Ramon Nicolas Cavallier
    Ambroise Jean-Marie Frémeau*
    The ferryman Jean-Marie Delpas

    Orchestre National de Bordeaux-Aquitaine
    Choruses from Opéra-Théâtre d'Avignon et des Pays de Vaucluse,
    from Opéra de Nice and from Opéra de Marseille
    Maîtrise des Bouches-du-Rhône
    Ballet de l’Opéra-Théâtre d’Avignon et des Pays de Vaucluse



    *For the first time at the Chorégies

    Contact Details
    Name: Box Office (adjacent to the Roman Theatre)
    Email: billetterie@choregies.com
    Phone: +33 (0) 4 90 34 24 24
    Venue Information: Theatre Antique
    Full Name: Theatre Antique, Orange, France
    Cost: €7.90
    Address: Rue Madeleine Roch 84100
    Directions: By Train: TGV to Orang.
    Contact Details: Theatre Antique
    Phone: +33 (0) 4 90 51 17 60
    Other Information: Theatre Antique
    Website: Theatre Antique Website


    Les Chorégies d'Orange


    The Chorégies d'Orange festival dates from 1860 and is the oldest festival in France. Over the years, the Chorégies have retained all of their freshness and originality, due in part to the name, which comes from the Greek "choreos", linking them to the Grecian-Latin tradition, to the magnificent site where they take place: the perfectly preserved Roman Theatre, which can hold 9,000 spectators, and which still has its stage wall, the guarantee of exceptional acoustics, and to their vocation, which is lyrical and musical performances, placing them among the very best French festivals and certainly one with an indisputable international reputation.

    The first performance took place in 1869, with "Joseph", an opera by Mehul. At that time, the classic Greek and Roman tragedies were staged there, and the Roman Theatre was also used to promote the French dramatic authors of the era. The use of the Roman Theatre as the stage for lyrical and musical performances became prevalent in 1971, with the creation of the "Nouvelles Chorégies", which met with immediate, overwhelming success. All of the world's great lyrical artists have performed there, bestowing international prestige on this ideal stage which continues to prove itself with each passing year.

    The Roman Theatre

    The Roman Theatre in Orange, one of the most beautiful monuments in France, is testimony to the Roman era. It is the only building of its kind which still has its acoustic stage wall, whose size is quite impressive: 103 meters long, 37 meters high, 1.80 meters thick. The stage itself is 65 meters long, with optimally useful space of 47 meters. Depth varies between 12 and 16 meters. Following the fall of the Roman Empire, the Roman Theatre was no longer used as a place for entertainment. In 1562, it was even transformed into a refuge for the population. Restoration only began in the early 1800's, when the bleachers were rebuilt.

    Situated in Provence, the Roman Theatre of Orange is the best preserved Roman theatre in the western world and has been designated a World Heritage Site by UNESCO. Visit this impressive monument built under Emperor Augustus in the 1st century A.D. An audio-guided tour and film will enable you to discover the history of the theatre and its place in antiquity. Opposite the theatre, the Art and History Museum of Orange exhibits collections from Antiquity to the 19th century. Great monuments, an exciting journey through Imperial Rome.


    © Photos : Studio Grand Angle - Orange / Studio Bernateau - Orange

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  • Périgueux's International Contemporary Mime Festival


    The annual International Contemporary Mime Festival takes place again this year in Perigeux and is not to be missed! Once again there will be mime artists from across the globe, workshops for any- and everyone to participate in and learn about this ancient artform, shows and performances in theatres and in the streets of this beautiful town, and something for everyone to enjoy.


    Alayades performing at the Perigueux Mime Festival.
    when: 2 - 7 Aug 2010 (annual)
    where: Périgueux
    cost: €16; concessions €12; under 12s €8
    time: Information centre 9.30am-7pm


    Performances at Périgueux's International Contemporary Mime Festival (MIMOS) range from free shows in the Renaissance streets to elaborate productions at larger venues like Le Theatre, Le Palace and La Cour de la Visitation. There are plenty of workshops for enthusiasts.


    Many of the 20th century's great mime artists have sat on the Honorary Committee in the past, including Robert Wilson, Kazuo Ohno, Ferruccio Soleri, Josef Nadj, Marcel Marceau and Jean-Louis Barrault.

    Contact Details

    Phone: +33 (0) 5 53 53 18 71
    Town Information: Périgueux
    Directions: Located 100km (70 miles) east of Bordeaux.
    Perigeux Website

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  • Pixels, Not Parables, for the Cologne Cathedral's Stained Glass Windows


    Thanks to Karen from Stuttgart, (tech-writer, music-lover, bookworm, art-appreciator, DVD-watcher, comp-addict, stumbler, European Citizen), I stumbled across this illuminating little piece when I looked for info on Gerhard Richter's work to further a discussion I was having with someone yesterday about the modern windows in the Cologne Cathedral - whilst standing in the church in Beaumont -- and admiring their modest stained glass windows. A little out of the ordinary posts in this blog? Except nothing is quite out of the ordinary when you live in this fascinating part of the world and amongst a population as diverse and cosmopolitan as we have here. As many different individuals, as many different experiences, views, opinions and interests. Most certainly never a dull moment!...

    So -- back to Gerhard Richter and his controversial window in the Cologne Cathedral : Blood-spurting martyrs, biblical parables, ascendant doves -- most church windows feature the same preachy images that have awed parishioners for centuries. But a new stained-glass window in Germany's Cologne Cathedral, completed only two years ago, evokes technology and science, not religion and the divine.


    Contemporary German artist Gerhard Richter designed the 65-foot-tall work to replace the original, destroyed by bombs in World War II. As a starting point, he used his own 1974 painting 4096 Colours.

    To create that piece -- a 64-by-64 grid of squares -- Richter devised a mathematical formula to systematically mix permutations of the three primary colours and gray. Funny coincidence: 4,096 is also the number of "Web-smart" colours that display consistently on older computer screens, a limitation some Web designers still take into account. (Today's monitors, of course, can handle pretty much any hue.)

    The Cologne window is made of 11,500 four-inch " pixels" cut from original antique glass in a total of 72 colours. Why not 4,096? Turns out there are stained glass-smart colours, too. Some hues in Richter's initial design were either historically inaccurate or too pale -- they would have outshone the squares around them. So the artist modified his palette to include only colours with a suitably archaic cast. Because it's fine for a church window to look like it's been designed by a computer, as long as it's a computer with a Gothic sensibility.

    Richter's easily recognizable style in the Candle series, the Children series (Betty) and the Baader-Meinhof series (Confrontation 3)



    Gerhard Richter has had a phenomenal career and is the only living artist represented in all the major galleries and art museums in the world.


    Gerhard Richter was born in Dresden in 1932 to a middle class family. Like many Germans of his generation, his relatives were involved in the Nazi movement; his mother's brother, Uncle Rudi died a young Nazi officer, while Richter's mentally disabled aunt was imprisoned in a Hitler euthanasia camp. Rigorous ideology and death have haunted Richter since he was just a child, perhaps causing his strong dislike for ideology of any kind and underpinning the attraction that nature, as an indiscriminate force, holds for him.

    Support from his mother encouraged him to become an artist during his mid-teens and he embarked on a classical education at the Dresden Art Academy in Communist East Germany. Years later and a few months prior to the erection of the Berlin Wall, he and his wife fled with only a suitcase to Düsseldorf in West Germany. From 1961 to 1964, Richter studied at the Staatliche Kunstakademie Düsseldorf under Karl Otto Gotz. During the early sixties Richter met and began to work with artists such as Sigmar Polke, Konrad Fischer-Lueg and Georg Baselitz. Their work, and Richter's in particular, began to have an impact in Germany, and eventually international art circles. Richter's beliefs are credited with refreshing art and rejuvenating painting as a medium during a period when many artists chose performance and ready-made media. Together with Polke and Fischer-Lueg, Richter formed a group called the Capitalist Realists. The Capitalist Realists were satirical, often deriving subject matter from print media. Richter began to see art as something that had to be separated from art history; he believed that paintings should focus on the image rather than the reference, the visual rather than the statement. He wanted to find a new way of painting that would not be constricting. Richter emerged from the group to become one of the most sought after contemporary artists in the world. His work is regularly sold at auction, sometimes for millions.
    Richter, a resident of the catheral city since the early 1980s, was made an honorary citizen of Cologne in April 2007.


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  • Wednesday, July 28

    The view from my window: Summer in the Dordogne


    I am staying with friends for a few days, away from my beloved river and the swans and Godfrey the Goose, but waking up to look out my window at the maize fields and the forests --- well! one could not ask for better food for the soul than that, now could you?



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  • Tuesday, July 27

    A French word a Day : 2010’s new words in the French Dictionaries!


    It is always such an exciting time when the two major French Dictionaries, Le Petit Robert and Larousse publish their annual new editions and announce which are the new words accepted into the dictionaries, and thus into the French language.


    What has always been interesting, is how the French do everything in their power to avoid accepting, willy-nilly, anglicised words. They do try to reflect, at all times, the French language as it is used, but if there is a good French word already, they will try to influence francophones to use the French equivalent rather than the popular Anglicism. Notably are words adopted in the electronic world of computers, PC’s, hardware and software. For example, the word ‘software’ has now, finally, after many years, popularly been spurned and replaced by the French ‘logiciel’ –

    This year, many of the new words have to do with conservation and environmental concerns – and I am thrilled that there is now a word for someone like myself – I am now officially a locavore – that is someone who chooses to consume only locally produced and in-season fruits and vegetables in order to support sustainable development.
    Other words include
    Saladerie : restaurant seling salads
    Citron : a ‘lemon’ – a dud – a car or other piece of equipment that has numerous defects
    Coloc : a flatmate, someone who shares your rent
    Footeux/Footeuse : After the World Cup, not surprising that the words for football fans/supporters are now official.
    Bioclimatique, biogas – bio meaning ‘organic’


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  • Monday, July 26

    Watching the last battle of the Hundred Year War - right here where it hapened in 1453!



    Once a year, towards the end of July and in the beginning of August, for two nights a week, the last battle of the Hundred Year War of 1336-1453 is re-enacted about 10km from the exact spot where it originally took place in 1453 -- at Castillon La Bataille.

    It is a magnificent spectacle. People come from al over France -- indeed, from all over the world, to see the battle. An audience of 2000 watch enthralled as the last three years of the war are acted out in front of them -- a cast of over 800 --- people, cattle, geese, pigs, hunting dogs, dozens and dozens of horses, priests, monks, peasants, children, pilgrims, soldiers, craftsmen, farmers, ladies and jousters, jesters and wine makers. Any- and everyone who make up the profile of the countryside in which this event takes place, is there to give reality and effect to the scene played out.

    Members of the audience come early to wander through the created medieval village, to learn about sword making and basket weaving, children's games, leather tooling and wine pressing, to sample the wine of the region and to enjoy a delicious rustic meal served at the rough wooden trestle tables set up under the stars. If you are lucky, you can visit the village of the cast and chat to the costumed volunteers milling about and getting ready for the performance. You can come up close to the beautiful white Charolais oxen that will be pulling the carts with the canon and the wine press, watch how the geese are herded by means of a stick, scratch the giant boars behind their bristly ears, chat to the excited hunting dogs that are keen to be let out to go provide one of the highlights of the spectacle.

    Before the actors start the performance, the director gives a stirring and encouraging pep talk and a musician leads the cast in a song -- a call to arms dating to the actual battle in 1453 -- urging everyone to go fight the valiant battle against the oppressors and to get them out of their beautiful Aquitaine, once and for all!

    The event takes place out in the open, against a hill, surrounded by fields and vineyards, overlooked by a beautiful chateau. There is drama and music and fireworks, canon and muskets and archers, -- and once again, as it does every year, the last battle of the 100-year war is fought valiantly and bravely -- and successfully -- banishing the English from French soil, once and for all -- or until they come again to holiday or to retire in this beautiful region of France!





    The Battle of Castillon : The End of the Hundred Years' War
    "The fate of Guienne was at this moment in the balance. In 1451 Charles VII had turned his victorious arms from Normandy to the south. The Bastard of Orleans had captured one after another the outlying bulwarks of Bordeaux; Bourg and Blaye had fallen in May, Fronsac and Libourne early in June. No succours arrived from England, where the parliamentary struggle of 1451 was then at its height, and on June 30 the inhabitants of Bordeaux, with manifest reluctance, surrendered their city. On August 20 Bayonne, the last fortress where the English banner flew, had opened its gates, and the subjection of Guienne seemed complete.

    "But provincial independence was dear to the Guiennois; they were loyal in their hearts to Henry VI, and they chafed bitterly against the new taxes and the abrogation of old customs which the French conquest brought about. Within six months of the fall of Bayonne Gascon nobles and burghers were visiting London in secret, to pledge their faith that the whole province would rise in arms the moment that an English army showed itself on the Gironde. When the appeal was made to him not to wreck this fair chance of resuming the struggle with France, York [Richard, Duke of York], as the advocate of a vigorous war policy, could hardly refuse his aid. He consented, and a great effort was made to raise an army for the invasion of Guienne. In July, 1452, the veteran Talbot, who had been created Earl of Shrewsbury some years before, was commissioned to raise 3,000 men for that enterprise.

    "The struggle of York and Somerset was suspended for a year and more, while both parties gave their aid for this attempt to rescue the last remnant of the English dominion in France. Talbot landed on October 17 in the Médoc; on the 21st the Bordelais threw open their gates to him. Within a few weeks most of the places around the great city were once more English. Then came winter, and nearly six months of respite before the slow-moving Charles of France launched his armies against Guienne. By this time Talbot had received reinforcements from England under his son Lord Lisle; with their aid he won back Fronsac, which all through the reign of Henry VI had been the frontier fortress of the English territory in Guienne. It was only in July, 1453, that the French appeared, in overwhelming force, and laid siege to Castillon on the Dordogne.

    Talbot marched out to its relief, with every man, Gascon and English, that he could collect. On the 17th he fell furiously upon the besiegers, who were stockaded in a great entrenched camp. So well were they covered that the old earl did not see how he could turn his archery, the real strength of his army, to any account. Forming his whole force into a dense column, with the men-at-arms at the head, he marched straight at the trenches. Though torn to pieces by the French artillery, the assailants crossed the ditch, and strove time after time to force their way into the lines. They were repelled, and presently outlying contingents from other parts of the circumvallation came up, and began to take the English in flank and rear. At this moment Talbot was struck down by a cannon ball, which broke his leg. His sons and his body-squires fought fiercely in his defence, but were slain one after another. The French sallied out of their trenches, the English column broke up, and all was lost. Talbot and Lisle were found dead side by side, and all the flower of their host had perished.

    Nothing can show better the loyalty of the Guiennois to the English cause than the fact that many of the smaller towns held out for two months after the disaster at Castillon, and that Bordeaux itself, though hopeless of succour, did not surrender till October 19, after it had stood a siege of eighty days. But this was the end; the French king took good care that his new subjects should not have another chance to rebel, and England for twenty years was in no condition to think of sending an army overseas. Yet the remembrance of their old connexion with the island realm long remained deep in the breasts of the men of Bordeaux; not only in the days of Edward IV, but so late as those of Henry VIII, secret messages were sent to England from the Gironde, and a vigorous attempt to recover Guienne might yet have found aid from within. Fortunately for both parties the attempt was never made.


    To book tickets for the remaining shows, click on:
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    any trouble nor delay,
    - by phone on : 00 [33] 557 40 1453
    - by fax on : 00 [33] 557 40 3648
    - by e-mail : info@batailledecastillon.com


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  • Tour de France : The grand finish in the Champs-Élysées, Paris!


    For the last 35 years the most beautiful avenue in the world has provided the Tour de France with a gem of a location for its grand finale. Walter Godefroot was the first to win on the Champs, since followed by all of cycling’s greatest sprinters, and some phenomenal hard-hitters. This year Cavendish once again won the sprint down this magnificent avenue, but it was Contador who won the Tours for the third time in a grand finish!



    Paris loves cycling and is delighted to welcome to its unique setting, like every year for more than a century, the breath-taking sprint of the Tour de France’s heroes. What better a sight is there than this Homeric battle of a finish that snakes for several kilometres through the streets of the French capital’s centre and the exceptional avenue of the Champs-Elysées? This carnival of sport that brings together Parisians and many tourists enables us to celebrate cycling in its full diversity. It brings to mind another popular and audacious great adventure, the Vélib bicycle service, which is now celebrating its third anniversary. It now accounts for 71 million journeys and exists in 30 of Paris’ neighbouring municipalities. Today, it is possible to use almost 600 km of cycling tracks. It is therefore with great pleasure that Paris offers its streets to bicycle-lovers and especially to the athletes of the Tour who delight us year upon year and who, from the Yellow Jersey winner to the wooden spoon holder in the final standings, all deserve to be lauded with the same praise.


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  • Thursday, July 22

    Summer evenings in the Dordogne







    Bring a few tables and chairs out into the street, prepare a large lamb tajine and a huge bowl of cous cous, open the wine, invite three excellent jazz musicians, spread the word in the village, and voila! you have the successful formula for a fabulous evening under the stars. What better way to spend a summer's evening with your friends - old and new!



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  • Sunflowers and Vivaldi - so last season?


    It is not quite cool to love Vivaldi, nor express an admiration for sunflowers -- cliche'd, soooooooo last season, done to death, cheap taste of the chattering chardonnay drinkers. Well, tough. I love Vivaldi -- his music is passionate, descriptive, evocative and moving, and, you can say what you will, but there is very little that takes the breath away with quite such a speed and aplomb as a field of sunflowers, dancing under the blue sky and to the rhythm of a refreshing morning breeze...



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  • Tour de France -- Stage 17 -- The last big battle?


    The route : discover the stage 17


    After the second rest day in Pau, the riders will set out for their final battle. Well, on the face of it at least… Last year, on Mont Ventoux, what was expected to be all out combat ended up as a damp squib, with all the pretenders waiting for the others to make a move. On this stage, perhaps there will be struggle for the top if Contator is in second place with 30 seconds to make up, but if he has a five minute lead on the rest, then it is as good as over. Following the Marie-Blanque climb, we will head back down into the valley. After only three kilometres of flat, we will immediately get to grips with the Soulor, a long, long, long climb, almost 25-kilometres long! The Aubisque pass is just next to it, then the riders will head down before tackling the Tourmalet pass. At the highest point of this Tour, the Henri-Desgrange memorial trophy will be awarded.



    Roll of honor : Result after stage 17
    1 CONTADOR Alberto ASTANA 83h 32' 39"
    95 HUSHOVD Thor CERVELO TEST TEAM 191 pts
    153 CHARTEAU Anthony BBOX BOUYGUES TELECOM 143 pts
    11 SCHLECK Andy TEAM SAXO BANK 83h 32' 47"

    Andy Schleck: King of the Col du Tourmalet

    The scene was set for an epic show down on the celebrated slopes of the col du Tourmalet where the yellow jersey would be decided. There is a time trial yet to come so no one knows if Alberto Contador will be able to claim a third title – as he has a lead of just eight seconds – but judging on last year’s TT form, the likely winner of the 97th Tour is going to be the runner-up on the Tourmalet.
    Andy Schleck had to attack! He had to be distance between him and Contador. He tried. He danced on the pedals. He dropped all his rivals… except for one. Everything Andy could do, Alberto could do too. Out of the mist at the 2,115m high mountain they emerged, the finish line in sight and the yellow jersey held the same position he held for most of the final 10.5km – after the initial acceleration by Schleck – just on the wheel. And that’s how they crossed the line. Second overall, first. First overall, second. Contador is in control of the Tour but Schleck is the king of the col due Tourmalet.

    The heavens opened up on the eve of the final day in the mountains for the 2010 Tour de France. Rain fell heavily overnight and early in the day and the peloton started on wet roads and drizzle and temperatures around 17 degrees. The official start was at 12.30pm with 172 riders at the sign on. The stage included four climbs – the cote de Renoir (cat-4 at 13.5km), the col de Marie-Blanque (cat-1 at 56.5km), the col du Souler (cat-1 at 117.5km) and the final high pass of the 97th Tour, the ‘Hors Category’ col du Tourmalet.

    The Top 10 In Stage 17

    The top 10 in stage 17 is: 1. Andy Schleck (LUX) SAX - 174km in 5h03’29" 2. Alberto Contador (ESP) AST at same time 3. Joaquim Rodriguez (ESP) KAT at 1’18" 4. Ryder Hesjedal (CAN) GRM at 1’27" 5. Samuel Sanchez (ESP) EUS at 1’32" 6. Denis Menchov (RUS) RAB at 1’40" 7. Robert Gesink (NED) RAB at 1’40" 8. Chris Horner (USA) RSH at 1’45" 9. Jurgen van den Broeck (BEL) OLO 1’48" 10. Roman Krueziger (CZE) LIQ 2’14"

    And tomorrow it is on to Bordeaux!



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  • Tuesday, July 20

    Antique Fairs in the Dordogne-Perigord : Weekend market in Lalinde



    One of the many pleasures of living in the Dordogne-Perigord, is to browse the antique and brocante markets which take place in all the little villages and towns of the region. Such as the Antique Fair in Lalinde last weekend -- a treasure for every discerning eye and every connoisseur of treasures large and small...

















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  • Lalinde swans adopt a goose...


    Now, I am really puzzled. It seems that amongst the beautiful swans -- currently in the region of 100 to 150 -- that are floating in front of the chateau, is a newcomer. For the last few days, a beautiful L'oie grise des Landes (Grey Landes goose) has joined the swans and is clearly showing that it has an identity crisis.

    Whereas a goose's diet consists of mainly seeds, but also some insects, fruits and reptiles -- which he collects on land, the swans feed mainly in the water and they are almost entirely herbivorous, although small numbers of aquatic animals may be eaten. In the water food is obtained by up-ending or dabbling, and their diet is composed of the roots, tubers, stems and leaves of aquatic and submerged plants.
    So - how does it happen that a goose is adopted by the swans and now grazes with the swans in the river, pulling up grasses and aquatic plants and munching food which is so alien to his own species?




    Apparently it does happen from time to time that swans would take over a goose nest and raise the chicks when they hatch -- and possibly this is what has happened here. As I have reported -- with great concern -- a few times over the past three years, there has been no breeding amongst the swans for the last three seasons. Is this the answer now? Are they reverting to adopting?

    Or -- perhaps it is simply a loving Mother Goose who has noticed that her swan cousins are having difficulties breeding and decided to lay her egg this summer in a swan's nest and so not only give the swan couple great joy, but ensure that her own offspring this year will not end up as foie gras!



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  • Monday, July 19

    Tour de France -- stage 15 - Pamiers Bagnères-de-Luchon and Stage 16 - Bagnères-de-Luchon Pau 199.5 km



    A Dropped Chain Costs Schleck Dearly…

    Just as he was making a bid for time gains on his chief rival, Andy Schleck’s bike bucked him out of the yellow jersey. He had made the decision to attack Alberto Contador with about three kilometers to climb on the Port de Bales and although he opened up a solid advantage, he ultimately lost the battle because of a mechanical problem. His chain dropped and got wedged between his crank and the bottom bracket. Not only did her nearly crash, he had to do an emergency repair on a bike that was the same color as the jersey he would ultimately surrender in unfortunate circumstances.Contador was not going to wait around while Schleck repaired his bike and he had the support of one of the best descenders in the world for the 21km downhill to Luchon. Samuel Sanchez joined forces with Contador and Menchov to put time into Schleck who got to within 22” of the rider who began the stage 31” behind but ended it eight seconds ahead. The battle for yellow is far from over!

    The Top 10 In Stage 15

    The top 10 in stage 15 is: 1. Thomas Voeckler (FRA) BTL - 187.5km in 4h44’51" 2. Alessandro Ballan (ITA) BMC at 1’20" 3. Aitor Perez Arrieta (ESP) FOT at 1’20" 4. Lloyd Mondory (FRA) ALM at 2’50" 5. Luke Roberts (AUS) MRM at 2’50" 6. Francisco Reda (ITA) QST at 2’50" 7. Alberto Contador (ESP) AST at 2’50" 8. Samuel Sanchez (ESP) EUS at 2’50" 9. Denis Menchov (RUS) RAB at 2’50" 10. Brian Vandborg (DEN) LIQ at 2’50" ...12. Andy Schleck (LUX) SAX ... at 3’29"




    And today, Tuesday 20 July -- Stage 16 - Bagnères-de-Luchon Pau 199.5 km

    The organisers have been criticised because the Tourmalet pass (where the Jacques-Goddet memorial trophy will be awarded at the summit) is apparently too far from the finishing line. Some say that it will not bring anything to how the race develops. The only thing is neither Pau nor the Col du Tourmalet have changed place, and everything depends on the race. The riders will have to tackle Peyresourde from the start, Aspin, Tourmalet and Aubisque. Admittedly, the Aubisque pass is 60 kilometres from the finishing line, but it is followed by 30 kilometres of descent before getting to grips with the valley bottom. It is the same route (except that the stage finish was in Mourenx) as in 1969 when Eddy Merckx was victorious after a 180-kilometre breakaway. We wanted to make this stage a little tribute to him.

    The destination town today is the beautiful Pau:


    • 62 times a stage town
    • Population: 82,000
    • Prefecture of Pyrénées-Atlantiques (64)

    The city of Henri IV is a mainstay of the Tour: it has gracefully hosted 62 stages of the race, surpassed only by Paris and Bordeaux. The list of prize winners in Pau is a Who’s Who of the Tour. From Alfredo Binda, who set the ball rolling in 1930, to Robic, Coppi, Bahamontes, Gimondi, Hinault, Kelly, Delgado, Chiappucci and Pereiro: all have triumphed here. Only heavyweights can hope to win in the Béarn capital, even if sprinters sometimes find a way through to the front.


    Pau loves the Tour and the Tour loves Pau. This year, the stay of the Tour de France in Pau will give rise to a grand popular festival with the show “Je me souviens du Tour” (I remember the Tour), by Christian Laborde, a native of Pau, and the “64ème du nom”, a crazy caravan bringing together the Générik Vapeur troupe and Pau’s associations. Followers of the Tour and the inhabitants of Pau will thus be able to enjoy these shows and share in a moment of relaxation and friendship. In Pau, 2010 also marks the 400th anniversary of the assassination of Henri IV and the 200th anniversary of the election of Bernadotte to the throne of Sweden. Henri IV will in particular be commemorated by a parade, the illumination of the castle and the presentation of an exhibition of paintings entitled “Paris vaut bien une messe” (Paris is well worth a mass). Furthermore, in October, Pau will be organising the Basque Pelota World Championships and, in November, the national flower show.

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  • Saturday, July 17

    Tour de France : Stage 14 - Revel to Ax 3 Domaines 184.5 km




    The newsflashes : Yesterday at 7:20 - The Top 10 In Stage 13

    Mark Cavendish was clearly the fastest of the sprinters but he has missed out on taking a fourth stage win in 2010. The top 10 for stage 13 is: 1. Alexandre Vinokourov (KAZ) AST 2. Mark Cavendish (GBR) THR at 13" 3. Alessandro Petacchi (ITA) LAM at 13" 4. Edvald Boasson Hagen (NOR) SKY at 13" 5. Jose Joaquim Rojas (ESP) GCE at 13" 6. Julian Dean (NZL) GRM at 13" 7. Anthony Geslin (FRA) FDJ at 13" 8. Thor Hushovd (NOR) CTT at 13" 9. Grega Bole (SLO) LAM at 13" 10. Lloyd Mondory (FRA) ALM at 13"



    Alexandre Vinokourov has now officially won four stages of the Tour de France. He won in Gap in 2003 and picked up two stage wins of the 2005 race. Now he’s a winner again in his first Tour since coming back from a suspension served in 2007...
    After yesterday, we can report that there were splits in the finale of stage 13 that included a former winner of the Tour but Lance Armstrong is no longer a rider with hopes of winning the title. That is now the domain of two main contenders the current race leader Andy Schleck and the two-time champion Alberto Contador.

    “Today was a nice stage for my team because we didn’t have to work too much" siad Schleck.
    "Still, I had to keep myself out of trouble and out of the wind. It was windy and the guys stayed up front with me and, at the end near the climb, it was fast but I told the team, ‘Thank you, take it easy now. I’ll be alright…’ so only Matti [Breschel] stayed with me and the rest of the team should take it easy because they’ve got a lot of work coming up. So do I, in the next few days.
    “Tomorrow will be hard, of course but I’ve trained for it and I’m looking forward to riding up these mountains.
    “I never said that I’d have liked two easy days before the mountains but we could call today ‘easy’ because the breakaway went quickly. It was clear that the riders were totally burned from yesterday. You could see it; when there were attacks at the beginning – the attack went 50 meters after the start and already there were guys near the front sitting down with legs full of lactic acid. I think it’s fun to see; we are all human. Some of the riders at the front of the peloton went up the road thinking they could make it to the lead group but the sprinters teams got organized behind and Vinokourov went ahead to put on a good show and hats off for that.
    “I’m not sure if I’ll attack tomorrow… if I’m good, yes.
    “Yesterday was a day for Alberto and today Vinokourov attacked and he actually made it to the finish… tomorrow it’s not up to him, it’s up to Alberto and me and others. Alexandre Vinokourov realized he is not going for the overall here but now he has a stage victory he’ll be going 100 per cent for Alberto.”


    Alexandre Vinokourov, the winner of the stage, says“This is the ‘New’ Vino…”


    The last time Alexandre Vinokourov won a stage of the Tour de France was in 2007 when he was also awarded the prize as the most aggressive rider in the stage. He would later lose the title of stage winner and much of his credibility but today, yesterday’s ‘Fighting Spirit’ award recipient was the best. He insists this is “the new ‘Vino’… It’s nice to win here again and it was a good victory. I’m very happy for my team, especially, because I think I helped give some good morale for the team. I’m disappointed that we couldn’t win yesterday but it gave us some good motivation and now we are ready for the three or four stages in the mountains.
    I rode well in the breakaway and was great today and I’m happy.”

    Stage 14 starts today in Revel and promises to be a battle between the big guns



    The second week of the race is now well underway and tiredness will be creeping in. The race will tackle the Pyrenees and the riders will start to feel it in their legs. On this stage, the finish is the hard part. The route is flat until the Port de Pailhères, a little more than 30 kilometres from the finish. The climb to Ax 3 Domaines follows straight afterwards, which could open up gaps. After the very difficult Port de Pailhères, there will be a battle between around a dozen of the big guns and it is very likely that the Yellow Jersey could change hands.



    The starting point today is Revel -- and all the sunflowers are splendeforous at the moment -- let's hope there are no riders with serious allergies!

    • 8 times a stage town
    • Population: 8,500
    • County town of Haute-Garonne canton (31)

    Revel on the Tour is also the victory in 1969, in a time-trial circuit around the town, of the legendary racing phenomenon of the epoch, Eddy Merckx. The Belgian rider won his second individual time-trial of that year’s Tour there and went on to win his first Tour de France. The following day, the route followed a shortcut in comparison with the 2010 edition, arriving in Luchon, with Raymond Delisle in the lead.

    The “Bio Vallée Lauragais” cluster is an integral part of the green economy that can be found in the Pays Lauragais area, a zone with a high farming and agri-food potential in the Midi-Pyrénées region, the leading organic region in France. “Bio Vallée Lauragais” was created in order to bring together various partners and cultivate innovative methods for developing businesses. This project is a response to the new requirements of “ethical consumers” of natural and organic products. With significant experience in the agri-food sector, Revel possesses the necessary economic structures to support businesses that wish to set up here. Drawing on the expertise of committed farmers and breeders, small and medium sized firms can ensure they develop whilst promoting the quality and biodiversity of the land. “Bio Vallée Lauragais” aims to pool initiatives and driving forces to work towards sustainable development that combines authenticity and innovation. Revel, a town on a human scale, offers a living environment in keeping with its convictions.

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